Moby Dick was a whale, a very big whale. It is also a book, a very big book, written by Herman Melville and published in 1851. It was initially a commercial failure, this tale of Captain Ahab on a whaling ship named the Pequod on his mad quest for vengeance on the giant white sperm whale of the title that had chomped off Ahab’s leg on a previous encounter. The story’s narrator, a seaman along for the journey, opens with what is arguably the most famous first line in English literary history, “Call me Ishmael.”
“Moby-Dick,” the book, entered the life of artist and writer Dmitry Samarov two decades ago when he was 33. “I was going through a divorce and came upon a cheap paperback copy of the book,” he says. “It was a crazy time for me and I was grasping at anything that might help me. This novel was a life raft and I felt lucky to be among the few who had not been assigned to read it in high school, so I wasn’t spoiled by having to do it for homework.”
And so he was helped and life moved on. But in the days following the Nov. 5, 2024, presidential election, Samarov was particularly affected. He set about trying to “forget the news.” He canceled his subscriptions to newspapers. Never a tech aficionado, he severed his remaining internet ties so there was “no headline-blaring app (following) me out the door.”
Samarov came to the United States from his native Russia in 1978 when he was 7. He lived first in Boston and then came here. He went to the School of the Art Institute. He started driving a cab. He wrote. He made art.
In 2006, he started writing an illustrated blog about his behind-the-wheel experiences. This attracted the folks at the University of Chicago Press, and that led to “Hack: Stories from a Chicago Cab” (2011) and “Where To? A Hack Memoir” (2014). His next book arrived in 2019, “Music to My Eyes,” a gathering of drawings and writing handsomely published by the local Tortoise Books.
“For more than 30 years, I have been bringing my sketchbook to concerts and drawing the performers on stage,” he said.
I wrote of it: “His writing has matured over the years and in wonderfully compelling ways his new book can be read as a memoir, for in it he shares stories that help explain why and how music has, as he put it, ‘haunted my entire life.’”
He lives in Bridgeport and makes his living by working some fill-in bar shifts at the Rainbo Club and a couple of shifts at Tangible Books, near his apartment.
“My life is all freelance and flexible,” he told me some time ago. “The goal is total unemployment.”
Now, on to the latest book, seeded by an article Samarov read about, as he puts it, “tech hucksters claiming to make millions publishing new versions of classics from the public domain.” He was not at all interested in “tricking anyone into paying me $15.99 for a cut-and-paste reprint of some dusty tome.”
He discovered Project Gutenberg, the internet site that allows people to download books or read them online at no cost. It offers some of the world’s great literature, focused on older works for which U.S. copyright has expired. Near the top of its most-downloaded list, Samarov found his old friend, “Moby-Dick.”
And so he got to work. In his short but lively “Designers Note” at the book’s end, he gives some of the details, and he tells me one of his goals with this project is “to introduce it to younger people.” He writes that he feels the novel is “as relevant as any news story.”
The book is handsomely published by Samarov’s friends at local publisher Maudlin House and is available there and elsewhere for $25, not at all bad for a 650-page book.
Melville dedicated “Moby-Dick” to his great friend, novelist Nathaniel Hawthorne. Samarov dedicates this new edition to Harry Synder, the late manager of a theater in Boston about whom Samarov writes elsewhere, “Harry and I didn’t talk much about art over the 35-plus years of our friendship but he showed me how to carry myself in the world without neurotically making sure anyone who crossed my path knew of my ‘true calling.’ He was a fully-rounded person first but an artist to the core.”
The whale is on the cover of this new edition, striking in black and white, though to me, he appears to be smiling. “I was inspired by scrimshaw art,” says Samarov, then explaining that art form that is created by engraving or carving on such whale parts as bones and teeth. There are nearly 100 drawings of people, boats, buildings, implements, ropes in knots and other items.
There is a Samarov self-portrait and a drawing of Melville, accompanied by Samarov’s writing, “I wonder what (Melville) would make of there now being over 7,000 versions of his masterpiece. … I’d like to believe he’d judge the version you hold in your hands worthwhile and not a cheap cash grab.”
Far be it from me to dip into Melville’s mind, but I think Samarov’s right.
The post Thar she blows! Chicago artist and writer Dmitry Samarov brings ‘Moby-Dick’ back to life first appeared on Voxtrend News.
